维也纳布莱斯麦尔/Breslmair小号号嘴知识译文

唇边
The function of the rim contour of mouthpieces is to support the vibration of the lips as much as possible.
Consequently it shall neither be too wide (blocking) nor too narrow (cutting).
A good rim should enable the
A good rim should enable the musician to play over a long period of time.
Extreme forms of shapes should not be taken into consideration
(very steep curvature of the rim down to the outside or inside), too wide,).
唇边轮廓的功能主要是为了支持嘴唇的震动从而使号嘴能够适应不同的嘴唇。
因而唇边既不能锻造的太宽，也不能切削的太窄。
一个好的唇边能够让一个音乐家使用很长一段时间。
过于极端的形状不予考虑（比如唇边的内部或者外部的曲度很陡，太宽或者太窄。）
G:     Traditional old Viennese rim contour without extremes.
        Typical inner edge, flatter curvature of the rim down to the outside.
        Provides for better endurance.
       传统的维也纳唇边没有极端
        典型的边缘，从唇边的下部到外面的边缘由统一的曲度。
        给演奏者提供更好的耐力
  
L:     Rim shape for Prof. Levora, soloist of the Vienna Philharmonic Orchestra in the 1960ies.
        Smaller inner edge than rim G,
        Rounder and steeper curvature of the rim to the outside,offers excellent embouchure.
        唇边的形状是独奏家Levora教授于1960年在维也纳爱乐乐团所使用的
        比G的唇边内沿边缘小，
        唇边的外部是曲度比较圆和陡峭，能够为演奏者提供很好的口型，

H:     This rim shape was created in imitation of the widely used mouthpiece,
        rim for high flexibility during the performance
        这种唇边的形状模仿的是广泛使用的1½ C的号嘴唇边
        这种唇边能够在演出中提供更高的灵活度。

V:     Is equivalent to rim shape 1¼ C.
        With this model we provide the possibility to switch over from a mass-produced mouthpiece to         
         our module system without greater problems
.        这种唇边相当于1¼ C的唇边形状。
        这种形状给我们提供了从大量生产的号嘴切换到我们的单独的唇边系统中没有很大的问题。

K:     The inner edge is equivalent to rim G, it is extended to 28mm to the outside.
        For a better endurance without a significant loss of the flexibility that rims with a normal width have.
        Recommended for shallow cups.
        内部的边缘与G相同，外边扩大到28mm。
        在没有明显损失灵活性的基础下获得更好的耐力，唇边的宽度正常。
        推荐搭配浅杯使用

W:    The inner edge is equivalent to rim G. Outer diameter: 29.0mm.
        内部的边缘与G相同，外径：29.0mm
        Designed to minimise signs of fatigue during long-duration performances.
        设计的初衷是为了在长时间演奏中更好的减轻疲劳。
        Recommended for shallow cups
        推荐搭配浅杯使用
1:     Rim contour of Hans P. Schuh (Philharmonic Orchestra)
        Hans P.Schuh型唇边。（爱乐乐团）
        Developed out of a G1 which has been modified by my father according
        to Mr. Schuh's requirements.
        根据Mr. Schuh先生的要求从开发G1型号嘴时就修改了我父亲的一些依据。
        High inner edge.
        高内边
1C:   Copy of the Bach rim 1C.
        拷贝了Bach 1C号嘴的唇边外形
        In the area where the curvature of the rim meets the curvature of the cup, the edge of the rim         
        contour was modified in order to make the rim fit the cup series G(on request of Martin Lechner).
        
This small selection of models is only a small part of the number of rims that are available and they represent         
a cross-section of the whole range of mouthpieces. In the following table you will find the complete assortment, which is permanently extended.
Annotation: In terms of size the various pictures of the rims are inpidual and not proportional to each other.

Rims for module-system mouthpieces for trumpets
小号号嘴可更换唇边

Nominal width: measured at depth of 1.5mm to the inside of the rim.
公称宽度：唇边的内侧测量深度为1.5mm
Diameter of the cup: cup width where the curvature of the rim meets the curvature of the cup – 2.5mm to the inside of the rim.
杯子的直径：杯子与唇边相交的内测边缘的宽度为2.5mm

唇边型号	外Ø	实际宽度	杯直径	产品描述
R	27,700	15,973	16,000	唇边以 Prof. Rudolf的建议制造。（维也纳交响乐团1995年）
7D	27,950	15,974	16,000	与巴哈7DW、 Mt. Vernon外形相对应
7E	27,700	15,974	16,000	7D内边平外边宽
2DE	27,956	16,088	15,640	与Tilz2DE相对应
BB	27,890	16,096	16,000	典型的 piccolo 号嘴唇边，宽
K16	27,600	16,322	16,000	K型唇边适合16，00mm的杯
EL	27,446	16,328	16,000	Engelbert LOIDL唇边. RSO维也纳
4X	28,199	16,448	16,000	与 Denis Wick 4X相对应
7CE	27,620	16,471	16,000	与Tilz  7CE相对应
V16	26,915	16,477	16,000	V型唇边适合16，00mm的杯
B	29,000	16,551	16,400	B型唇边有舒适的宽而圆润的形状
A	27,769	16,606	16,400	用老的A为依据测量，外形略圆
E4	27,626	16,633	16,400	与Yamaha 15E 4相对应
112	27,200	16,645	16,400	与Bach 1½ C相对应
T6	27,414	16,646	16,400	与Schantl T6相对应
GS	27,543	16,664	16,400	与G型相同，按照着老的S2的外表轮廓制造
G11	27,424	16,668	16,400	老版本的G型唇边
V2	27,115	16,677	16,400	以Bach 1¼ C的唇边外形为基准进行改良
S	27,500	16,690	16,400	According to rim contour gauge S
1	27,496	16,693	16,400	H.P.Schuh型唇边
2	27,496	16,693	16,400	Randform H.P. Schuh (Phil.) mildere Innenkante
3	27,220	16,694	16,400	Rand Bach Nr.3
ST	27,408	16,706	16,400	Rand K. Steininger (Symph.)
ST4	28,008	16,706	16,400	Rand K. Steininger (Symph.), breit
G	27,500	16,718	16,400	完整的G系列号嘴唇边

Nominal width: measured at depth of 1.5mm to the inside of the rim.
公称宽度：唇边的内侧测量深度为1.5mm
Diameter of the cup: cup width where the curvature of the rim meets the curvature of the cup – 2.5mm to the inside of the rim.
杯子的直径：杯子与唇边相交的内测边缘的宽度为2.5mm

The shape of the cup is significantly important in order to receive the desired tone-colour or to give the play the
desired  expression.
杯子的形状具有重要的意义，可以获得理想的音色或者让演奏更有表现力。
It  is  still  true  that  a  large  cup  produces  a beautiful  round  tone  rather  than  a  shallow  cup.
尽管如此，大杯的音色要比小杯的音色更漂亮、圆润。
However, it should be the musician alone who at last decides which type of cup lives up to his/her expectations.
然而，音乐家为达到他/她所需要的表现力，需要由他们自己来决定杯子的杯子的类型

唇边型号	外Ø	实际宽度	杯直径	产品描述
G2B	27,450	16,720	16,400	修改过的G型唇边。
HD	27,762	16,722	16,400	H.Demmer 型唇边(tone artist)。
K	28,000	16,722	16,400	根据G型唇边的内沿，外沿则陡峭而宽。
W	29,000	16,722	16,400	宽的唇边能够提供更好的耐力。
GL	27,522	16,742	16,400	与G型唇边相类似，陡峭并且宽
GW	27,500	16,752	16,400	原始的G型唇边
L	27,376	16,754	16,400	根据 Prof. Levora提供的轮廓(Philharmonic)
3C	27,300	16,824	16,400	Bach 3C Mt. Vernon (Tamas Velenczei)
H	27,432	16,829	16,400	根据Bach 1½ 改进
VC1	27,315	16,867	16,400	Variation of V, sharper inner edge R1,452
VC2	27,315	16,875	16,400	Variation of V, sharper inner edge R1,389
V	27,315	16,877	16,400	Contour according to Bach 1¼, modified R1,629
17	27,457	16,910	16,400	与Schilke 17相同
7C	27,003	16,954	16,400	与 Bach 7C相同
114	27,498	16,994	16,500	与 Bach 1¼ C相对应
GW5	27,769	17,020	16,500	GW的轮廓, 但内部宽度较大
1C	27,330	17,163	16,400	Bach 1C改良版

The module cups
杯组件

G1: Goes back to an old Viennese mouthpiece used by the Vienna Philharmonic Orchestra.
        Progenitor of all mouthpieces of series G. ,Great tone volume and sonorous sound.
        追溯到老的维也纳爱乐乐团所使用的号嘴，所有的号嘴都是原始的G系列，有着美妙的音色和洪亮的声音。

G2:  Shallower than G1, excellent tone quality and ability to create the right intonation.
        Popular especially as a mouthpiece for orchestra.
        与相比G1,G2有着优良的音质
G3: Equally suitable for talented students as for professional musicians.
        Recommended for both brass music and entertainment music.
        此款好嘴同样适合天赋比较好的学生和专业的音乐家。
        建议用于演奏铜管音乐和轻音乐使用。
        
G4:   Musicians who have devoted themselves to a more modern style of music will enjoy this model.
        Smaller bore   (3.60mm), very shallow, however, with a wide Herz, in order to avoid shrill tones. Also suitable for piccolo.
        音乐家们都喜欢把G3这个组件用于演奏现代风格的音乐会。然而这个组件的孔较小（3.60mm）而且很浅，
        然而赫兹频数较宽，是为了为了避免声音过于尖锐。适用于高音小号。
G5:   Shallow cup for Jazz and Big band, a high-quality piccolo mouthpiece when combined with the corresponding  shank.
        小而浅的杯子比较适合爵士乐和乐队演奏，这种高级的高音小号号嘴应当与相应的哨管配合使用。

G6:  Extremely shallo w and flat cu p for the extremely high tones.

This small selection represents only a  small part of the cups that are  available and forms the basis of the  whole
range of cups. (drawings not to scale)

Cups for module system trumpet mouthpieces

杯	孔	深度	杯直径	产品描述
G1W	3,800	TT	16,400	大型乐团用德式小号模块
GE48	3,800	TT	16,400	杯子形状以 Yamaha 15E4为参照
G1	3,800	T	16,400	与传统的G1型杯相同
G1S	3,800	T	16,400	比G1小而浅的杯 H.P.Schuh (Philharmonic Orchestra)
G2B	3,800	NT	16,400	与传统的G2型杯相同
G2	3,800	NT	16,400	经典的乐团用杯型
G2S	3,800	NT	16,400	Shallower and more V-shaped than G2
G2A	3,800	M	16,400	中等深度的G2
G3S	3,800	M	16,400	改良后的G3
G3	3,800	M	16,400	次杯适用于现代音乐和传统的奥地利音乐
G3A	3,800	MS	16,400	G3的改进版本
G3C	3,800	M	16,400	以Bach3C为参照 Mt. Vernon (Tamas Velenczei)
G7D	3,700	MS	16,400	杯子形状以Bach 7DW为参照
G4	3,600	S	16,400	浅型杯宽赫兹
G5	3,650	S	16,400	适于演奏爵士乐，现代风格音乐及 高音小号演奏使用
G6	3,600	SS	16,400	爵士及高音小号使用的杯型
GA4	3,700	SS	16,400	爵士及高音小号使用的杯型

S: 浅                  M: 中深      NT :正常深     T: 深
SS: 非常浅         MS:中浅                           TT: 非常深
The  names  of  the  cups  have  partly  been  taken  over  or  have  been  derived  fro m  already  existing  complete mouthpieces.  
杯子的名字有部分被替换或者使用已经存在的完整号嘴名字。
The  permanent enlargement of  our range of  products and their  further development lead often to confusing names, which are mainly caused by overlapping or variation of several different shapes of cups.
The bore has to be 3.8mm or smaller in order to guarantee that all different forms of shank will fit. Special bores can of course be inpidually produced on request at any time.
开空的尺寸3.8毫米或者更小，用来保证与不同形式的哨管搭配合适。当然在任何时候我们都接收单独的定制开空的尺寸。
Cup width: diameter of the cup at a point where the curvature of the cup meets the curvature of the rim – 2.5 mm to the inside of the rim.
杯宽：杯子与唇边相交的内测边缘的宽度为2.5mm 
Most commonly used rims fit my module system. The cups for rims with extreme diameters can be inpidually modified and cups of special model series fit, as well. We  have  decided  to  leave  the  topic  of  the  sound  character  of  a  cup.  Only  system  as  a  whole  –  musician, mouthpiece, instrument,  mu sical style –  can be judged  subjectively.  One  should be  aware of  the  fact that both rim and back bore have great influence on the sound!
常用的唇边都适合我们的模块更换系统。配合极端直径唇边的杯子可以单独修改配合特殊型号适合和的杯子
The musician is the only one who decides which cup (or mouthpiece) will be the best one for his/her kind of music.